His great breakthrough, though, can be traced to 1991, when he simply slapped the green Benetton logo on a photojournalist's award-winning image of a dying AIDS patient surrounded by his family. Since then, the son of a renowned Milan photojournalist has snapped his own striking frames of Balkan war victims, children from a Sicilian Mafia town and death-row inmates, the last of which set off widespread anger in the United States and eventually lead to his split with Benetton.
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